25th October 2011
I often wish that my Edinburgh flat had a door which led to London. I suppose it might lead to complications with the Council Tax, but I would like to be able to drop into the city’s cultural schedule at will without that messy business of travel and accommodation.
I used to live in a plasterboard half-room in Clapham and work in London Bridge, so I’m comfortable getting around the city and seeking out whatever my specialist interest is at the time, whether it’s Egyptology at the Petrie Museum, typography at St. Bride’s or the declining population of pinball machines, of which London is a rich source. (Know any?) I visit once or twice a year on average.
One thing I’ve never properly engaged with is London’s lit scene. I hope to start fixing that next week with a couple of reading slots.
First up on Tuesday 1st November is The Special Relationship at Concrete @ Pizza East, downstairs at 56 Shoreditch High Street. I’ve yet to meet the YARN crew in person but I’ve seen Jarred McGinnis and Sam Taradash read before and they are dead-eye pros. The night seems to lean towards material that crosses art forms, so I will take down some of my music-backed stories from Bloc’s festival offering, Electric Lit Orchestra. 7.30pm start here.
Then on Wednesday 2nd November I’m cruising over to Clerkenwell for the Four Thirty Three magazine live event at the Betsey Trotwood. 4'33" is an audio publication with values close to my heart — keep it tight, hit hard with it — and the Betsey seems to have a staggering regular programme of music and words. It’s at 56 Farringdon Road, 7.30pm.
Can’t wait; hope my delicate Glasgow phrasing will play well to London ears.